Written by Willem Boone
Page 1 of 9
Lugano, 19 July 2003
I asked Lilya Zilberstein at the second edition of the Martha Argerich festival in Lugano, when I met her backstage, just after I congratulated the wonderful young French cellist Gautier Capuçon with his performance of the Grieg Sonata. She responded in a very friendly and willing way to set a time for an interview on Friday 20 June at 4.00 p.m at the RSI studio.
I noticed that it wasn’t very hard to get in (The receptionist let me in after I told him in my very approximative Italian that I was looking for Lilya Zilberstein, the pianist!). She smiled at me when she came in and said: “Ah, you managed to get in”. We got the key of the room where she normally practices and spoke for about an hour. She proved a friendly and witty conversation partner.
Willem Boone (WB): What is the most important thing you have learnt during your training in Russia?
Lilya Zilberstein (LZ): I went to a special music school in Russia and the most important thing I learnt there was disciplin. I notice nowadays that I am quite disciplined: yesterday (Thursday 19 June, WB) was a day off in Switzerland, I went to the RSI-studio and practiced from 10 a.m until 6. p.m It’s my profession. My children also play music, the oldest one is 12 years old. He plays the piano.
WB: Were you always motivated when you were that young?
LZ: Yes, I think so.
WB: If you were to judge your own playing, would you say that there is a specific Russian element in it? If so, which one?
LZ: People say there is indeed a Russian school. In Russia, I have learnt about piano playing, theory and history of music and harmonics, but I couldn’t describe if there is anything specifically Russian in my playing. The only thing that counts is whether you are playing well and it doesn’t matter where you come from!